Color Grading : Films & TV
PARTY DAYS
(JEUX DE BAL)
- DIRECTOR : Laurent SCHEID
- CINEMATOGRAPHY : Pierre ADAMCZYCK, Tom GINEYTS, Virginie GOURMEL, Camille LANGLOIS, Adrien LENGRAND, Laurent SCHEID
- COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : Hélicotronc
- SPECS : Documentary – 82 min – Color – 1,33:1
- SHOT ON : Blackmagic & Sony
- LINKS : https://helicotronc.com/production/jeux-de-bal/
For the past 20 years, every July 20, on the eve of Belgian National Day, thousands of people have gathered at the Place du Jeu de Balle in Brussels. It’s the “Bal National”, a unique celebration halfway between festival, carnival and family reunion. The event brings together people from all walks of life, who together define the contours of a certain “belgitude”. Jeux de Bal takes you right to the heart of this joyous collective experience.
INVINCIBLE SUMMER
(UN INVINCIBLE ÉTÉ)
- DIRECTOR : Arnaud DUFEYS
- CINEMATOGRAPHY : Pépin STRUYE
- COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : Makintosh Films & Luna Blue Film
- SPECS : Short – 18 min – Color – 1,33:1
- SHOT ON : S16 Film
- SELECTIONS : Berlinale 2024, Section “Generation 14plus”
- PRICES : Arte Price at BSFF 2024
One hot summer evening. Alone at home, by the pool and bored to death, Clément (16) swipes through guys’ profiles on a dating app. Determined to lose his virginity, he lies about his age, finds Naël (24), and arranges a date with him. The time draws near, and Clément rushes things. But it’s through the discovery of a body completely different from Naël’s that Clément will grow up.
BLINKITY BLACK
- DIRECTOR : Ethann NEON
- CINEMATOGRAPHY: Anton HENNE, Nicolas FRANÇOIS
- COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : Le Fresnoy – Studio national des arts contemporains, en collaboration avec Play on Pause
- SPECS : Experimental Short Fiction – 22min – Color – 2,39:1
- SHOT ON : techniques mixtes, DSLR, stop motion…
One blink, one lost image. Another one, another lost image. And so on thousand times a day. This is the story of a man marked by lost images from his life.
“Blinkity Black” is created from all the moments that escape the gaze simply because our eyelids close. If we could discover all these lost moments, what would we discover? And witch image to save?
DANS LA CHAMBRE (HOME MOVIES)
- DIRECTOR : Yves CANTRAINE
- CINEMATOGRAPHY: Yves CANTRAINE & Roger CANTRAINE
- COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : HELICOTRONC & L’Atelier de Production du GSARA
- SPECS : Experimental Documentary – 42 min – Color – 1,85:1
- SHOT ON : 16 mm film + DSLR
Immersing himself solely in family and personal archives, films of parties and travels, the confined director takes his impetus, questions the images, frees the sound memory, and travels through time and space. The return to the past thereby becomes a dance and a poetic drift. As Emily Dickinson, the film’s tutelary figure, wrote: “I dwell in Possibility / A fairer House than Prose”.
ENTRE-TEMPS, LE SILENCE DES LUCIOLES
- DIRECTORS : Federico D’AMBROSIO & Géraldine BRAUSCH
- CINEMATOGRAPHY : Federico D’AMBROSIO
- COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : D’une certaine gaieté, Arsenic2 & Atelier Graphoui
- SPECS : Documentary – 68 min – Color – 1,77:1
- SHOT ON : digital camera
- LINKS : https://entre-temps.org/
They are between 10 and 20 years old. They come from different places and backgrounds, and don’t know each other. And yet, in 2020, they have all experienced the same “crisis”, that of “covid-19”, that of the suspension of time and landmarks, that of the shrinking of space, relationships and the world.
Filmed on location in schools and youth centers, 7 groups reflect, with their teacher or youth worker, on what is happening to them.
It’s a dialogue that weaves between them, a dialogue about their shattered lives and the strangeness of the present, but also, very quickly, about society as a whole. Social inequalities, political and police management, the media and information, citizenship, the relationship with oneself and others and, ultimately, the future are at the heart of their reflections. They invite us, in an almost imperative way, to question the world we propose to them and the way we accompany them in it.
AU REVOIR MAMIE
- DIRECTOR : Etienne CHEDEVILLE
- CINEMATOGRAPHY : Tom GINEYTS
- COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : Etienne CHEDEVILLE
- SPECS : Fiction – 19 min – Color – 1,85:1
- SHOT ON : Sony FX6
A young man, saddened by the emptying of his grandmother’s house after her death, suddenly starts dressing up like his “granny”, using her most beautiful expressions and flying into colorful fits of anger, as long as the house full of memories isn’t emptied.
TUER LE MINOTAURE
- DIRECTOR : Naya KUU
- CINEMATOGRAPHY : Francisco Javier RODRIGUEZ
- COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : Naya KUU
- WITH : Alejandro MOYA, Annick CORNETTE
- SPECS : Fiction – 19 min – Color – 1,85:1
- SHOT ON : Blackmagic Cinema Camera
THE LIFE AND STRANGE SURPRISING ADVENTURES OF ROBINSON CRUSOE
WHO LIVED FOR TWENTY AND EIGHT YEARS ALL ALONE ON AN INHABITED ISLAND
AND SAID IT WAS HIS
- DIRECTOR : Benjamin DEBOOSERE
- CINEMATOGRAPHY: Hans BRUCH Jr.
- COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : Untitled Production
- WITH : Oriana IKOMO, Bernice LEMING, Blanche PEMBE
- SPECS : Fiction – 75 min – Color – 1,33:1
- SHOT ON : 16 mm film + ARRI Amira + Sony Alpha 7R III
- PRICES & SELECTIONS : Official selection – International Film Festival Rotterdam 2023
This film addresses the larger cultural myth that has grown from the premise of Daniel Defoe’s propaganda piece “Robinson Crusoe”: a white man ‘civilising’ indigenous inhabitants of an island, and claiming the territory as his own property. In a time today when the call to decolonise the artworld and its associated institutions has never been more urgent, Benjamin Deboosere’s cinematic intervention resonates with a large body of work seeking to destabilise and replace the ideology of imperialism. The result is a singular, subversive film, satirical and surprisingly charming at the same time, which makes sure to pay just as much attention to animals and the natural world as to the follies of human-constructed ‘anthropocene’ history.
THE SOUNDS OF EARTH
(LES SONS DE LA TERRE)
- DIRECTOR : Gaëtan D’AGOSTINO
- CINEMATOGRAPHY : Tom GINEYTS
- COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : GALEAS Production
- WITH : Laurent CAPELLUTO, Jessica GAZON, Marcel GONZALEZ, Laura LIBERATORE, Thomas COUMANS, Apolline SIMON
- SPECS : Fiction – 16 min – Color – 2,39:1
- SHOT ON : Sony FX6 + Zoom Angénieux 28-70 mm
- PRICES & SELECTIONS : National Competition – Brussels Short Film Festival 2023
Forty years ago, the Voyager probes were sent to space with The Sounds of the Earth, a golden disc containing welcome messages in 55 languages for aliens. While he still drifts tirelessly into space today, Noël spend Christmas Eve in his family of Italian immigrants, where reflections of ordinary racism flow more than ever around the table…
JAIME
- DIRECTOR : Francisco Javier RODRIGUEZ
- CINEMATOGRAPHY : Francisco Javier RODRIGUEZ
- COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : Las Malas Juntas
- SPECS : Documentary – 37 min – Color – 1,85:1
- PRICES : Mention du Jury – Visions du réel – Nyon – 2022
Jaime is the portrait of a young man affected by a mental disorder in which his mind perceives reality in a distorted way. In this fascinating and provoking medium length film, director Francisco Javier Rodriguez questions our idea of reality, creating a subtle game in which fact and fiction merge. Touching yet unsettling, this film interrogates what we consider to be “the norm”.
A VILLAGE IN TURMOIL
(UN VILLAGE EN ÉMOI)
- DIRECTOR : Sébastien PEREE
- CINEMATOGRAPHY : Tom GINEYTS
- COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : Les Films de Mireille
- SPECS : Documentary/Fiction – 36 min – Color – 1,85:1
- SHOT ON : Sony FX6 + Zoom Angénieux 28-70 + Canon FD Chrome Set
One night, in a village, a disturbing white tower appears in the distance. From their bedrooms, 5 children talk about their fears. Gradually, as they talk, an atmosphere of anxiety is revealed in the village, foreshadowing the coming of the dreaded disaster. Now alone with their fears, they have no choice but to face them by going in search of this mysterious white tower.
PIPELINE
- DIRECTOR : Ivo NEEFJES
- COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : Ivo NEEFJES
- SPECS : Fiction – 15 min – Color – 1,85:1
During a normal school day, Dieter, an insecure teenager, watches online self-help videos that become increasingly far-right and slowly influence the way he sees the world.
TRAMADOL
- DIRECTOR : Adoum MOUSSA & Morgane WIRTZ
- COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : 235 Productions
- SPECS : Documentary – 34 min – Color – 1,77:1
- LINKS : http://www.morganewirtz.com/video/tramadol/
- PRICES & SELECTIONS : Best short film documentary at Human Screen Festival (Tunisie, 2023), Tanit d’argent du meilleur court-métrage documentaires aux Journées Cinématographiques de Carthage, (Tunisie, 2023)
A motorbike goes through desert landscapes, mountains, and bush. On board, Moussa, a young turbaned Tuareg braves the dust for hundreds of kilometres. Hidden in his vehicle, about 50 tablets of Tramadol, one of the most popular narcotics in WestAfrica…
BAD MOUNTAIN
(MONTAGNE MAUVAISE)
- DIRECTOR : Patxi ENDARA
- CINEMATOGRAPHY : Patxi ENDARA
- COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : AJC ! (Atelier Jeunes Cinéastes)
- SPECS : Fiction – 36 min – Color – 1,85:1
- SHOT ON : Alpha 7S II
In the heart of the Pyrenees, hikers take the marked trails, cross the Ossoue glacier and reach the summit of the Vignemale before descending to the plain.
Among them, two characters stay at altitude and try to live in the mountain.
1 SEMAINE SUR 2
- DIRECTOR : Grégory BEGHIN
- CINEMATOGRAPHY : Raphaël VAN SITTEREN
- COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : ARTEMIS Productions
- SPECS : TV Show (50x 3′) – Color – 1,77:1
- SHOT ON : SONY FX9
Carole has just moved in with Jean-Jacques. They’re very much in love. The problem is that Jean-Jacques already has 3 children, and Carole isn’t really into kids. 1 semaine sur 2 is the daily story of this blended family, in which everyone tries to find their place.
BREATHE
(RESPIRE)
- DIRECTOR : Paul Vincent de LESTRADE
- CINEMATOGRAPHY : Julien DE KEUKELEIRE
- COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : INSAS / Atelier de réalisation
- WITH : Jan Hammenecker, Lula Béry
- SPECS : Fiction Short – Color – 1,85:1
An opportunity arises for Nina, a 19 years-old athlete, when her teammate suddenly quits and she is offered the opportunity to try out for the national athletics team in the hope of competing in the European Athletics Junior Championship. Her inclination to take on a challenge and her obsessive search for perfection will end up pushing her to accept a task that will push her way beyond her limits.
THROUGH MY HEART, THE SUMMER
(JUSQUE DANS MON CŒUR L'ÉTÉ)
- DIRECTOR : Zoë SEURET
- CINEMATOGRAPHY : Marie MERLANT
- COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : INSAS / Atelier de réalisation
- WITH : Sanshiro, Kana Yokomitsu
- SPECS : Fiction Short – Color – 1,85:1
Fujihiko Matsushime is a 36-year-old man living alone in a traditional Japanese house. His daily life is perfectly ordered and timed. But one day, his routine is disturbed by strange elements taking place in this old, creaking house. Troubled, Fujihiko tries to find out what may be happening in his home.
MY PARENTS' DIVORCE
(LE DIVORCE DE MES MARRANTS)
- DIRECTOR : Romy TRAJMAN & Anaïs STRAUMANN-LEVY
- CINEMATOGRAPHY : Anaïs STRAUMANN-LEVY
- COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : Daguerre Films, Kwassa Films, Sunset Junction
- SPECS : Documentary – Color – 1,77:1
- PRICES & SELECTIONS : Festival Millenium 2021, Tallinn Black Nights Film Festival 2021, Festival International du film Grolandais 2021 (FIFIGROT)
Romy, 23, investigates her parents’ divorce with the help of a friend on camera. Part documentary, part songs, this intimate road-movie plunges us into the heart of a dysfunctional and colorful family.
FAMILY HISTORY
(LES ANTÉCÉDENTS FAMILIAUX)
- DIRECTOR : Mathilde BLANC
- CINEMATOGRAPHY : Thaïs PLAY DAVID
- COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : INSAS / Atelier de réalisation
- WITH : Olivier BLANC, Soizick BLANC
- SPECS : Documentary Short – Color – 1,85:1
Olivier is a hypochondriac pharmacist who regularly consults his fellow doctors. Unable to answer the recurring question about his own family medical history, he decides to investigate his biological roots. Obsessed with his research and worried about the answers he finally finds out, he forgets what matters most…
THE PRICE OF FOLLY
(LE PRIX DE LA DÉRAISON)
- DIRECTOR : Safia KESSAS
- COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : AT-Prod, 2020
- SPECS : TV Documentary – Color – 1,77:1
For several months, this film will follow the footsteps a 27-year-old “returnee”, from Syria. After serving a heavy prison sentence for wanting to join ISIS, she must now retrieve the course of her life. However, the obstacles are numerous. The judicial system has not created the proper conditions for a seamless transition to home.
She has changed she acknowledges her mistakes. Yet, the judicial system does not believe in her redemption. It freezes her in the simplistic image of a radical Islamic woman. She is no longer that woman, but by not granting her a second chance, the system is taking the risk of over-radicalizing. Here in Belgium and not in the Syrian hell, these returnees are abandoned to themselves. Without the support of her family, the young woman would not be able to escape such spiral.
OUROBOROS
- DIRECTOR : Sassoun DEMIRCI & Ilias DENNOUNE
- CINEMATOGRAPHY : Lisa WILLAME
- COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : HAKUNA ACADEMY, 2019
- WITH : Ilias DENNOUNE
- SHOT ON : ARRI Alexa XT, Cooke Lenses
- SPECS : Short – Color – 1,85:1
A prisoner of his own, the figures-lined walls, Jonas counts, repeats himself, constantly relives the torments of his childhood, an actor precocious of daily violence, he confronts himself with all his sufferings, a reality that he can not escape.
TEGHADEZ AGADEZ
- DIRECTOR & CINEMATOGRAPHY : Morgane WIRTZ
- COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : International Rescue Committee & le GSARA, 2019
- SPECS : Documentary – Color – 16/9
For twenty years, André has been making a living organizing the transport of migrants between Agadez (Niger) and Sabha (Libya). To him and to a large part of the population in Agadez, crossing the Sahara was a key sector of the economy. But in 2016, and with the financial support of the European Union, Niger adopted a law repressing all economic activity related to illegal migration. Since then, André fights to keep working illegally, with the excesses that it implies. We follow him in the streets of Agadez and meet Fifty, Boubacar, Mudatheir and Myriam: they are four people who decided for different reasons to leave their country in search of a better life.
THIS IS NOT A SUITCASE
(CECI N'EST PAS UNE VALISE)
- DIRECTOR : Lou Du PONTAVICE
- CINEMATOGRAPHY : Stéphanie BLANCHARD MORA
- CAMERA : Lisa BILLUART-MONET
- COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : INSAS / Atelier de réalisation
- WITH : Annie-Paris NKINSI, Wim WILLAERT
- SPECS : Short – Color – 1,85:1
- SHOT ON : ARRI Alexa
Guy, 55 year-old taxi driver, is about to travel with the Eurostar, for the first time of his life : his daughter is getting married. But when he parks to take the train, he discovers concealed in his suitcase, a 7 year-old girl who’s from Kinshasa. This is Maïssa. Her demand is clear and non-negotiable : Guy must take her with him to London, in his suitcase.
THE DRAGON WITH TWO HEADS
(LE DRAGON À DEUX TÊTES)
- DIRECTOR : Paris CANNES Do NASCIMENTO
- CINEMATOGRAPHY : Charlotte MULLER
- CAMERA : Mathilde BLANC
- COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : INSAS / Atelier de réalisation
- WITH : Paris CANNES Do NASCIMENTO, Juergen CANNES Do NASCIMENTO
- SPECS : Short – Color – 1,85:1
- SHOT ON : SONY F5
To escape the homophobic reality of their homeland, two Brazilian twin brothers are now living in Europe. The first brother has a perfectly legal status in Brussels, the second is an illegal immigrant and lives like a ghost in the German capital. Set during the 2018 Brazilian elections, the brothers’ anguish about the future of their country under the rise of far-right candidate Jair Bolsonaro deepens when one of the twins is involved in an accident.
MACHINARIUM
- DIRECTOR : Thomas LICATA
- CINEMATOGRAPHY : Maxime BRASSET
- CAMERA : Jimmy NGUYEN
- COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : INSAS / Atelier de réalisation
- WITH : Luc SCHILTZ, Alain BELLOT
- SPECS : Short – Color – 1,85:1
- SHOT ON : SONY F5
Bob is sent to a remote area to repair a radio transmission antenna. Once on site, he is surprised to discover that it is connected to a building site by a mysterious cable…
NIGHT TRIP
- DIRECTOR : Nicolas BOUCART
- CINEMATOGRAPHY : Roberto GOMEZ
- CAMERA : Nicolas BOUCART & Dany LEBLANC
- COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : Hélicotronc, Ours Blanc & Tricinty sprl
- WITH : Thomas BOUCART, Gabin BOUCART
- SPECS : Short – Color – 2,35:1
- SHOT ON : SONY Alpha 7S2 & Canon 5D MII
Night Trip is the last inner trip of a heroin addict overdosing, powerless before the leaving of the one he has has abandoned… this child full of hope that lives within us until our last breath.
LES JUSTES DU RWANDA
- DIRECTOR : Luc LAGUN-BOUCHET
- CINEMATOGRAPHY : Stéphane TAPONIER & Joy BANERJEE
- COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : AT-Prod
- WITH : Damas Gisimba, Joséphine Dusabimana, Froduald Karuhije…
- SPECS : Short – Color – 1,77:1
This documentary tells the story of a woman and two men who took the risk of dying rather than killing. During the Rwandan genocide of 1994, when the vast majority of the Hutu participated in the killings, they hid and saved Tutsis, at the risk of their lives. Each in its own way and in different places.
RÉPÉTITIONS
- DIRECTOR : Aurore FATTIER
- CINEMATOGRAPHY : Vincent PINCKAERS
- COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : Benoît ROLAND – Wrong Men
- WITH : Denis LAVANT, Aurore FATTIER
- SPECS : Short – Color – 1,77:1
- SHOT ON : SONY Alpha 7S2
The crew of a play has come to a standstill. The lead actor has disappeared. The director finds him, out of phase, wandering the streets of a provincial town with a few tramps… A drunken night brings them back to the theater. A precarious encounter finally takes place, making the creation of a show possible.
MAKING OF "THE BREAK - SEASON 2"
(MAKING OF "LA TRÊVE - SAISON 2")
- DIRECTOR : Sébastien CORRE & Olivier Mitch GOFFE
- CINEMATOGRAPHY : Vincent PINCKAERS
- COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : Julie ESPARBES & Anthony REY – Hélicotronc
- WITH : Yoann BLANC, Jasmina DOUIEB, Guillaume KERBUSCH…
- SPECS : Documentary – Color – 1,77:1 – 59 min
Jasmina Orban, the psychiatrist calls back Yoann Peeters to help her
prove the innocence of one of her patients, Dany Bastin. Dany, a former
convict, was working as a gardener for wealthy owner Astrid du Tilleul,
who was found murdered in the swimming pool of her house. The making of “The Break, season 2”.
MY NAME IS CLITORIS
(MON NOM EST CLITORIS)
- DIRECTOR : Daphné LEBLOND & Lisa BILLUART-MONET
- CINEMATOGRAPHY : Lisa BILLUART-MONET
- COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : Iota Production, FWB, CBA, BETV
- SPECS : Documentary – Color – 1,77:1
- SHOT ON : CANON 5D MII
- PRICES & SELECTIONS : Best documentary at the Magritte du cinéma (Belgium, 2020), Selections at the Festival International du Film Francophone de Namur (Belgique, 2019), DOK Leipzig, (Germany 2019), Festival International Jean-Rouch (France, 2019), Pink Screens – Brussels Queer Film Festival (Belgium, 2019)…
- LINKS : https://www.iotaproduction.be/film/monnomestclitoris/
This documentary is a dialogue between young women about the feminine sexuality. With a communicative freedom, courage and humor, they share their experiences and their stories, in the hope to change the world around them and to give to the women the right in an informed sex education, delivered from the constraints and the taboos.
THE BELGIAN LION
(LE LION BELGE)
- DIRECTOR : Nimetula PARLAKU
- CINEMATOGRAPHY : Serge BRISON, Yves PEZET, Alicia Van der AVOORT
- COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : Les BrasKC, Anthony REY & Nimetulla PARLAKU
- WITH : Karim BARRAS, Greg DURET, Mathylde DESMAREZ, Sophie SENECAUT
- SPECS : Fiction – Color / B&W – 1,85:1 – 89 min
- SHOT ON : SONY FS5
Two losers are trying to catch an elusive lion for an improbable prize. Or perhaps they are exorcizing the phantoms of colonialism that haunt the town…
SIMON
- DIRECTOR, CAMERA & PRODUCTION : Laurent SCHEID
- COLOR GRADING : Laura PERERA SAN MARTIN
- EDITING : Annaëlle SIMONET
- WITH : Simon Marie Eugène, Comte du Chastel de la Howarderie et du Saint Empire
- SPECS : Documentary Short – Color – 1,77:1
- SHOT ON : Canon EOS 5D & 7D
SWITCH
- DIRECTOR : Marion RENARD
- CINEMATOGRAPHY : Lisa WILLAME
- COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : INSAS / Atelier de réalisation, 2018
- WITH : Nora DOLMANS, Manon DELAUVAUX, Félix MATAGNE
- SPECS : Short – Color
During her first sexual experience, a teenager discovers she has an unsettling peculiarity. A modern-day tale of sexual development and self-acceptance.
NOWY
- DIRECTOR : Matthieu BOURDEAUD’HUI
- CINEMATOGRAPHY : Lisa BILLUART-MONET
- COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : INSAS, 2018
- WITH : Zenek MAJEWSKI
- SPECS : Short – Color
In Łódź, an old man, Zenek, lives alone and observes his neighborhood through the window of his small apartment. Outside, people are gathering as the wind picks up.
LES PAPILLONS DE NUIT RÊVENT AUSSI
- DIRECTOR : Jeanne COUSSEAU
- CINEMATOGRAPHY : Laura PERERA SAN MARTIN
- PRODUCTION DESIGNER & ART DIRECTION : Charlotte PERRIN
- COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : Jean-Louis COUSSEAU – Company Quelqu’uns, 2018
- WITH : Zenek MAJEWSKI
- SPECS : Video – Color – 1,33:1
- SHOT on : Lumix GH5
This video was made to be integrated in the theater play Les papillons de nuit rêvent aussi (written and staged by Jean-Louis Cousseau, 2018). This play is about Pannonica de Koenigswarter, scion of the Rothschild family and famous jazz patron in the United States during the 50-60’s.
The theater play : An actress and 3 musicians launch into a suite of variations inspired by Pannonica de Koenigswarter’s life. On the background of projections photo and video, the four artists create various forms of exchanges between words and musics; between past and present, also. Because beyond the testimony on the one that we called « the Baroness of the jazz », this musical play is about the world of today, about the fragile place of the artistic creation in the contemporary society, about the necessity of being oneself.
THE PEONY
(LA PIVOINE)
- DIRECTOR : Joaquín BRETON
- CINEMATOGRAPHY : Francisco Javier RODRIGUEZ
- COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : Anthony REY – HELICOTRONC, 2018
- WITH : Simon ANDRE, Christian CRAHAY, Benoît PIRET, Anne-Marie LOOP, Ariane ROUSSEAU
- SPECS : Feature – Color – 1,77:1
- SHOT ON : Blackmagic RAW DNG 2K & Blackmagic ProRes UHD
Salomon, a traveller, comes back to his hometown. Sitting at the bar of his old friend Jean, he remembers Dimitri, his travelling companion, who died in a strange shooting.
THE GIRL AND THE DOG
- DIRECTOR & ANIMATOR : Oksana KAZMINA
- CINEMATOGRAPHY, COMPOSITING & COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : 5/5 La Louvière en documentaire & Dragone Productions, 2015
- EDITING : Annaëlle SIMONET
- WITH : Bahia TOFFOLO, Fabienne BERNARD, Francky THIGS, Joëlle DUGAILLY
- SPECS : Documentary Short – Color – 1,77:1
- SHOT ON : SONY EX3 & Lumix GH4
The dreamlike journey of a girl from Ukraine, which meets giants, passionate people, dog and girl and her grandmother in La Louvière (Belgium).
TACTIL'ANIMATION
- DIRECTOR : Anton HENNE
- CINEMATOGRAPHY & COLOR GRADING : Laura PERERA SAN MARTIN
- PRODUCTION : Anton HENNE & ERG, 2016
- SPECS : Documentary Short – Color – 1,77:1
- SHOT ON : Lumix GH4
This documentary is about the project « Tactil’Animation », which aims to realize a medium of tactile expression, through the creation of a tactile animation movie. This tactile animation movie could allow a blind or a visual-impaired person to feel a history based mainly on the sense of touch, with a sound support.
JULIA
- DIRECTOR : Nicolas CATZ
- CINEMATOGRAPHY & COLOR GRADING : Laura PERERA SAN MARTIN
- CAMERA : Laura PERERA SAN MARTIN & Tom GINEYTS
- PRODUCTION : Nicolas CATZ, 2015
- WITH : Denis BECHOUX, Stéphanie GOEMAERE
- SPECS : Short – Color – 2,39:1
- SHOT ON : Canon EOS 5D, 7D & Lumix GH4