Color grading : animation

UNDER MY WINDOW, THE MUD
(SOUS MA FENÊTRE, LA BOUE)

It’s a gloomy Sunday in the small flat where 14-year-old Emma lives with her mother Hélène. Full of rejection and resentment towards Hélène, Emma projects the image of the ideal mother onto her other mother, who lives far away and whom she sees very little of. But an argument with Hélène forces Emma to question this reassuring duality… As it forces Hélène to face up to her own contradictions. They find themselves thrown into a confrontation of feelings that they are not (or no longer) used to, and where they awkwardly begin to search for a common path.

STONE IN STOMACH
(MESSAGES PERSONNELS)

On the phone, there is Camille. She tries to find what unites her with Johane, who listens to her messages, somewhere in Brussels. If they still love each other, could they find each other again?

IN THOUSANDS OF PETALS
(EN MILLE PÉTALES)

  • DIRECTOR : Louise BONGARTZ
  • CINEMATOGRAPHY : Tom GINEYTS
  • ANIMATION : Louise BONGARTZ, Francisco MARTINS FONTES, Siona VIDAKOVIC
  • COLOR GRADING : Laura PERERA SAN MARTIN
  • PRODUCTION : Camera-etc & Ozù Productions
  • SPECS : Animation Short – 10 min – Color – 1,77:1
  • SHOT ON : stop motion
A young married woman collects the sweet memories of her romance. On closer inspection, she leaves bits of herself behind…

BLINKITY BLACK

  • DIRECTOR : Ethann NEON
  • CINEMATOGRAPHY: Anton HENNE, Nicolas FRANÇOIS
  • COLOR GRADING : Laura PERERA SAN MARTIN
  • PRODUCTION : Le Fresnoy – Studio national des arts contemporains, en collaboration avec Play on Pause
  • SPECS : Experimental Short Fiction – 22min – Color – 2,39:1
  • SHOT ON : techniques mixtes, DSLR, stop motion…
One blink, one lost image. Another one, another lost image. And so on thousand times a day. This is the story of a man marked by lost images from his life. 
“Blinkity Black” is created from all the moments that escape the gaze simply because our eyelids close. If we could discover all these lost moments, what would we discover? And witch image to save?

HUMAN WALKERS IN MOTION

  • DIRECTOR : Ethann NEON
  • CINEMATOGRAPHY : Anton HENNE
  • COLOR GRADING : Laura PERERA SAN MARTIN
  • PRODUCTION : PLAY ON PAUSE, avec l’aide du Centre du Cinéma et de l’audiovisuel de la Fédération Wallonie-Bruxelles
  • SHOT ON : Mixtes Technics, DSLR, stop-motion…
  • SPECS : Animation Experimental Short – Color – 1,66:1 
The walk inhabits our being and governs our social space. Side by side or face to face, it implies an exchange. When combining everyone’s specific pace, a hidden harmony arises. Reconnecting with Eadweard Muybridge‘s work, this film projects us into the frenetic rhythm of the steps of fifty walkers.

PROJECTION ON SOFA
(PROJECTION SUR CANAPE)

  •  DIRECTOR & ANIMATOR : Violette DELVOYE
  • CINEMATOGRAPHY & COLOR GRADING : Laura PERERA SAN MARTIN
  • PRODUCTION : ENSAV – Ecole Nationale Supérieure des Arts Visuels de La Cambre, 2017
  • SPECS : Animation Short – Color – 1,85:1
  • SHOT ON : Stop-motion DSLR
Tonight it’s movie night at home. After the film ends, Lucie and Manu spark up a conversation about the idea of travelling. Over cigarettes and glasses of wine, they share their desires, needs and expectations.

ARMENIAN PAPERS
(PAPIERS D'ARMENIE)

  •  DIRECTOR & ANIMATOR : Ornella MACCHIA
  • CINEMATOGRAPHY & COLOR GRADING : Laura PERERA SAN MARTIN
  • PRODUCTION : ENSAV – Ecole Nationale Supérieure des Arts Visuels de La Cambre, 2016
  • SPECS : Animation Short – Color – 1,85:1
  • SHOT ON : Stop-motion DSLR
At the market of Yerevan, in Armenia, a merchant invites us to share his fruits and his history…

TACTIL'ANIMATION

  •  DIRECTOR : Anton HENNE
  • CINEMATOGRAPHY & COLOR GRADING : Laura PERERA SAN MARTIN
  • PRODUCTION : Anton HENNE & ERG, 2016
  • SPECS : Documentary Short – Color – 1,77:1
  • SHOT ON : Lumix GH4
This documentary is about the project « Tactil’Animation », which aims to realize a medium of tactile expression, through the creation of a tactile animation movie. This tactile animation movie could allow a blind or a visual-impaired person to feel a history based mainly on the sense of touch, with a sound support.
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